Ciné Qua Non

‘Ciné Qua Non’, as everybody knows, is Latin for ‘publish video on Youtube or not’.

In my case, as a determined late adopter, (see here for instance) the answer has been ‘not’. Until now. Continue reading

The cosmology of song writing

cosmos-500

Song writers have to be prepared to answer these two questions ad nauseam:

“How do you go about writing songs?” and “What comes first, the words or the music?” Continue reading

The Ghost of Lady Bennet

This song was written for the Living Archive Band’s radio ballad The Horse and the Tractor, but was not included when the ghost story fell victim to the editorial axe- a not inappropriate metaphor! Continue reading

Farewell, old friend

No going back. I have sold my fiddle.

My 19th century German workshop Maggini copy, with two bands of purfling front and back, and an extra turn in the scroll (apparently not one of Maggini’s signatures).

In thirty years together we have seen and done a lot: from Castlethorpe Village Hall to Westminster Hall, from Leicester to Leipzig, countless ceilidhs, innumerable morris stands and nearly as many pubs as there are stars in the sky. I ought to be sad, but I truly am not. Continue reading

The Valley of the Shadow

Arras, April 9th 1917

Today marks the centenary of the opening of the British and Canadian offensive at Arras, on the Western Front.

Hawtin Mundy of New BrHawtin Mundyadwell, Buckinghamshire, fought and was captured in the battle. His powerful memories were recorded late in life, inspiring community drama and song that ties modern Milton Keynes and its inhabitants to its past.

Here is a part of Hawtin’s moving testimony:

Hawtin’s description of the battlefield at Arras was carefully turned into song by Paul Clark for the play Days of Pride, and has never failed to move audiences each of the many times it has been sung since. Continue reading